从《黑眼睛》到《发自内心》(2)_手风琴知识

第三部分谱例一鲁道夫·沃斯纳编曲《黑眼睛》

第四部分谱例二《发自内心》

第五部分小结

参考文献　 第一部分内容摘要

一、内容摘要（英文）

INTRODUCTION

The thesis has discussed the two chief features of the music of Russia accordion. The commonness has been summarized through analyzing both of the background of the music and the music store. In the prologue, the history of the naissance and the development of the music of Russia accordion have been introduced. Moreover, the condition of the development of Russia music in the nineteenth century has been stated, as well as its relationship with the music of Russia accordion. Thus, there is a complete statement of the stylistic features of the music of Russia accordion in the prologue.

“The Dark Eyes, the classic nationalism”,in fact, has stated one genre of the music of Russia accordion, namely, the traditional music of Russia accordion. Here, “traditional” indicates the Romantic music and the folk music, these two kinds of music are not exist in isolation, but are melting together. Although the music of Russia accordion is influenced by the Western music, the kernel of it is still the “romantic” and the “folk”. In this section, the possession of the features of Jypsy music, eastern European folk music and the Russia folk music in the music of Russia accordion is demonstrated through analyzing the music store of "The Dark Eyes".

“From the Innermost, the extreme modern factors” has stated another genre of the music of Russia accordion, namely, the anti-traditional new music. In this section, all the life of Gubaidulina, who is the spokesman of the Russia new music , has been chiefly introduced. In addition, through analyzing her work "From the Innermost", we have demonstrated the stylistic features of the new music.

In the brief summary, the two chief characteristics of the music of Russia accordion and the relationship between them have been demonstrated again.
It is well known that the art of Russia accordion has immense influence in China as well as in the whole world. One of the necessary approaches to recognizing the music of Russia accordion is to study the stylistic features of it. However, it is not easy, for the correlative literature is not enough. I would like to make some contribution to the accordion enterprise of our country with the thesis.

从《黑眼睛》到《发自内心》(2)

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